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Senin, 18 Juli 2011

DESERT EAGLE

Used IMI - Israel Military Industries DESERT EAGLE .357 Pistol


 

SCARCE NEW SPEC DEACTIVATED 357 MAGNUM IMI DESERT EAGLE in superb used condition showing signs of service use to the parkerised metalwork finish, with natural wear to hand grips. This example is not a commercial import from America, but an original Israeli IMI manufactured pistol as marked on the lower frame ‘made in Israel’. Chambered in .375 Magnum these pistols also came in .44 and .50AE calibers, but .357 is more manageable for size of pistol and weight. A scarce item to find and not often seen and would grace anybody’s collection of Magnum pistols. With full working actions and can be stripped, deactivated by Falcon in 2001 (trade)


Specifications

Gun Category: Pistol / Hand guns
Make: IMI - Israel Military Industries
Model: DESERT EAGLE
Gun status: Deactivated
Calibre: .357
Mechanism: Semi-Automatic
Price: £ POA
Condition: Used - Good condition

Keep Fresh Your Face

How to Keep Makeup for Young Dancer Looking Fresh and Natural

One of the issues that dance teachers have to deal with in regards to makeup for dance is when parents are unwilling to apply enough makeup to their daughters faces for fear of them looking “too mature for their age”. Makeup for dance performances needs to be much darker than everyday street makeup for a young dancer’s face to be seen by the audience. This can often make dance moms and dads quite uncomfortable.
Here are 4 tips for keeping makeup for dance competitions and performances youthful and fresh but strong enough for stage.

1) Eyebrows – Eyebrows need to be enhanced for stage performances because much of our emotional expression is shown in our eyebrows (think “smiley icons”!). Brows definitely need to be darkened but if you darken every little hair growing in the general vicinity of the eyebrow you will create a monster! However, a very thin, sculptured, dark eyebrow can look too sophisticated and mature for a young dancer’s face. An eyebrow pencil can leave too severe a line. I prefer using an eye shadow color that is the same as or one to two shades darker than the hair color. Go to the center of the brow, and carefully brush a line of shadow in the center of the existing eyebrow. A little goes a long way on the eyebrows. Now, use a brow brush/comb to blend out the center line of shadow that you just applied. This keeps the brow soft and natural but enhances it enough to allow the audience to clearly see the dancer’s emotional expression.

2) Eyes – Makeup for dance performances often includes the use of A LOT of black eyeliner and/or eye shadow and often in all the wrong places. This gives the dancers makeup look a hard, harsh, look that can leave the eyes looking like big emotionless black holes to the audience. Use black eyeliner ONLY on the top lash line. Use a brown liner conservatively under lower lashes. DO NOT use black eyeliner on the inner lash line. Use a white highlighter eye pencil on the inner lash line to keep the eyes looking big.

3) Cheeks – Makeup for dance is often misunderstood. Stage makeup does need to be darker and more intense but blush that is the wrong color, too dark, or is applied in hard, sharp lines definitely adds years to a younger dancers face. Use neutral pink/peach tones of blush to give the face a natural, healthy glow. Apply blush under the cheekbone to enhance the bone structure of the face. Avoid circles on the apples of the cheeks by starting at the hair line and brushing blush forward. Avoid harsh lines by blending the color forward and then up. Avoid letting the blush color drop below the lip line. BLEND, BLEND, BLEND to create a fresh, youthful look to the dancers face.

4) Lips – Makeup for dance almost always showcases a bright red lip stick color that makes a dance mom sweat as she is applying! Choosing the wrong shade of red lip stick can make a dancer look hard, harsh, and overdone. Ideally, when choosing a red lipstick color for stage performances, choose a neutral red. This usually has a slight, browner, or brick tone to it and it looks great on every skin tone! As a side note, red lipstick is not the ONLY lip stick that looks good on stage. A beautiful, neutral rose tone makes the lips look fresh and clean without the dramatic look of a red. For example, Juliet from “Romeo and Juliet” would never wear a red because it would look too mature for her innocent, young character. Hey, if a rose-toned lipstick works for a ballerina as Juliet, it will work for any dancer, right?

Written by JDupont
Owner of Jam Cosmetics

Salsa Timing & Musicality

Tips To Becoming A More Musical Salsa Dancer

This is the second part to becoming a more musical salsa dancer. In the first part you learned about the importance of mastering salsa timing, the importance of learning to recognize the different types of salsa music, and the importance of recognizing the salsa song structure.
In this part, I will cover what many often think about what it means to be a musical salsa dancer, and that is learning to recognize the breaks and accents in the salsa music. You will also learn about the difference between dancing to the lyrics literally versus lyrically.
Here are the three tips to help you become a more musical salsa dancer.
Tip # 1 – Learn To Recognize The Breaks And Accents
Learning to recognize the different accents and breaks in the salsa music is what really will make your dancing lots of fun for you and your partner. The prerequisite to this part is that you have mastered salsa timing. Once you have mastered salsa timing and made staying on the right count an automatic process, you will be ready to move on to develop your awareness of the music even further by concentrating on understanding and hearing what else happens in the music.
First, it is important that you realize that learning to listen to the breaks and accents in the music is actually a skill that you can develop. When I started learning salsa, I did not even know what breaks or accents in the music meant, nor did I hear them. But through countless hours of trial and error, hours and hours of musicality classes, going through dozens of software products and salsa timing CD’s, and through lots of practice, I was able to develop that skill. Now I am a very musical dancer. One of the best ways to learn and cultivate this skill is to take a live salsa musicality class where someone shows you how to recognize different breaks and accents in the music and lets you try to interpret the music. If you don’t have musicality classes available in your area, you can try an online learning course. So take a live musicality class, take a private lesson with a musical salsa dancer that you admire, or take an on-line learning course, and you might just become amazed by how much more of a musical dancer you may become.
Tip # 2 – Learn To Dance To The Lyrics Literally
This is similar to learning to recognize the breaks and accents in the music. However, there are two ways to dance to the lyrics: literally and lyrically. Dancing to the lyrics literally means that you interpret the sound of the vocalist. For example, if the singer sings a phrase such as: “Oye Mi Quinto, Bongo”, you might accent the word Bongo in your dancing with a stop of your body, head pop, chest roll or whatever. The point is that you are interpreting the actual sounds of the lyrics. When I started to become a more musical salsa dancer, it took me a long time to really understand what this meant. Hearing and becoming aware of the different instruments became easier for me. Learning to dance to the lyrics, I just did not see the excitement in it. Many times I saw amazing dancers do a choreographed dance performance, and I thought that was cool, but I did not see the musicality in their dancing. It was only after really understanding what dancing to the lyrics meant that an entirely new way of expressing myself to the music finally opened up to me. I even went back to watching those same amazing dancers, and I finally realized that they had choreographed their entire piece to the lyrics of the song, instead of the hits and accents of the instruments. I was blown away. It might take you awhile to get this concept too, but once you do get it, it will bring your enjoyment of salsa dancing yet to another level.
Tip # 3 Learn To Dance Lyrically
Lyrical dancing means that you actually try to interpret the meaning of the words in your dancing. So if the songs talks about sunshine, a love affair, or sadness, for example, you might actually want to somehow try to reflect those ideas in your dancing. You might open your arms as if to mimic sun radiating its rays to the world to portray the idea of a sun shining, or hold your partner really close and secretively as to portray the idea of a love affair, or simply have your arms in front of your face as if to be filled with sadness and tears. Obviously, most salsa music is in Spanish and that might limit how much you would be able to dance to the actual meaning of the lyrics, even if you wanted to. Dancing lyrically is also much more rare, both in performances, as well as in social dancing. But if you really love knowing what the songs talk about, by all means, why not explore this idea of becoming a more musical dancer as well.
And there you have it, my three tips on part 2 to becoming a more musical salsa dancer. As always, first master salsa timing. Then become more aware of the types of salsa, and recognize the different song structure. Finally, learn to play with the accents and the hits of the music, and develop your ability to dance to the lyrics both literally and lyrically. Who knows, maybe soon you will be asked to tour the world to teach musicality workshops as well.
Written by Mikko Kemppe

 

Gaya Hidup

Salsa Dance Classes Cost Money and Take Time - What You Can Do to Save Time and Money
Submitted by: Elise

Salsa Classes are a great way to meet people, but give yourself a head
start, save
time, money and learn to Salsa at home before taking those Salsa
Classes. This way, not only will you enjoy yourself, supplement what you've already learned (in private at home), but you'll feel confident to dance and meet others in Salsa Classes.
What is this head start, you might ask? A Salsa Dance Video or
Salsa DVD are the next best thing to taking group Salsa Classes and
can save you time and money. Believe it or not, 75% of learning comes from vision and from an instructor's standpoint, the best method to learn dancing is the Demonstration-Performance Method (instructor demonstrates, you perform).
Salsa Classes

Rhythm and Count

As you learn to Salsa and take Salsa Classes, you
will notice there is a rhythmic pattern throughout the songs. The next time you play a Salsa song, notice there
is repetition of eight beats throughout.
In the basic Salsa pattern we have six steps to
eight beats. For the first three beats of the pattern, you step and
shift weight to the foot that corresponds with the beat, there's
a pause on the fourth beat, and another three beats to which you step
and shift weight, corresponding to that beat, then pause and repeat.
It's that simple!

Minggu, 17 Juli 2011

Austria's successful aerobics athlete

So what's Lubi GAZOV up to these days?


Austria's successful
aerobics athlete Lubi Gazov
She was the aerobics-figurehead of the Austrian Gymnastics Association Ã–FT and the best aerobics athlete for some years. The association placed great hopes in her future, and she not only one many titles in Austria, but also did very well at international competitions, sometimes winning, but always making the top ranks. But then suddenly we heard no more of her...

Just before the "Austrian Sportaerobic Open" in October 2006 the native Bulgarian suddenly announced: „Sports aerobics is the love of my life. I have done my utmost to succed in this sport and always will. But now I have found a new challenge..."
 
A straddle jump almost to the ceiling...
Austria's aerobics talent Lubi Gazov trains at the Linz Olympic Centre
 

>> GYMmedia International
talked to Lubi Gazov, who will be 18 in March:

We haven't heard of you in a long while. How are you?
Thanks, I'm very well.

Who's training you at the moment?
I've been doing competitive aerobics six times a week for about six years now. I train at the"Olympiazentrum auf der Gugl" for five to six hours a day. My trainer is my mother, Petra Gazov.
 
 

  In October you created havoc by announcing that you were going to join FISAF...
I have participated in competitions organised by various associations such as IAF, ANAC and FIG. FISAF was a new challenge for me, I wanted to get to know this association as well. So my mother established contact with FISAF and registered Austria with this association as well. 

What distinguishes this association from others?
FISAF is very interesting, because the competions mostly concern fitness. In this associations mainly groups participate and this is what, in my opinion, makes the competions run by this association so attractive.  

Does this mean you may be joining a group?
No, I will continue to concentrate on the single category of sports aerobics and will continue to work only in this direction in the future.

What are your sporting goals for 2007?
As I have to sit my school-leaving exams this year, I'm concentrating on school at the moment - I go to the Sport Borg High School in Linz. I won't take part in a more important competition till July 2007. Then I want to take part in the International ANAC Championships, although I will remain a member of FIG .

 
And what comes then? After all, as of 2007 you will be competing in the adult category.
It's my greatest goal to be one of the world's leading three aerobics sportswomen one day. I'm training hard to fulfill this aim.

What do you hope for the future of aerobics?
It would be great if all the aerobics associations could come together one day. I think that only together we will be unbeatable.
 
Lubi Gazov in 2006


Lubi GAZOV:
'... Aerobics is only unbeatable
if it is united!'
  Lubi Gazov's greatest susccesses:

>> 2006:
- Champion of the ANAC World Aerobic Showcase in Los Angeles
- Bronze medal at the Suzuki Worldcup in Tokio
- Gold medal at the Slovak Open in Nove Zamky

>> 2005:
- FIG-Worldcup-Winner U18 in Mexiko
- Silver medal at the World Cup in Sofia/Bulgaria

>> 2004
- Gold medal at the Slovak Open in Nove Zamky
- Bronze medal at the Suzuki World Cup in Nagoya
- 7. place at the 1. Age Group Competiton in Sofia/Bulgaria

>> 2003
- Gold medal at the International Youth Championships in Clermont Ferrand


>> Also look at our GYMmedia-Report on the Austrian Open (Oct. 2006)

Sabtu, 16 Juli 2011

GPJ 2011

GPJ 2011



Dalam Rangka memberikan dan menyebarluaskan informasi mengenai potensi Kabupaten Jombang kepada masyarakat luas, Pemerintah Kabupaten Jombang menggelar EXPO dalam bentuk Gelar Potensi Jombang Tahun 2011 (GPJ 2011) di Alon-alon Jombang 10 Juli 2011 s.d 13 Juli 2011. Sehubungan hal tersebut Badan Pelayanan Perizinan Kabupaten Jombang ikut serta menyukseskan pelaksanaan GPJ 2011 sebagai bagian dari peserta. Keikutsertaan Badan Pelayanan Perizinan Kabupaten Jombang tidak terlepas dari upaya dan komitmen untuk memberikan pelayanan terbaik bagi masyarakat, karena kegiatan GPJ 2011 dipandang sebagai upaya untuk lebih mendekatkan diri kepada masyarakat. Oyo dulur kabeh bareng-bareng menyang stand Badan Pelayanan Perizinan Kabupaten Jombang ono area GPJ 2011. Semoga pelaksaan GPJ 2011 ini bisa sukses dan terlaksana dengan baik.

Fotografi

Bayang-bayang.

Burung Kenari

Burung Kenari banyak dipelihara karena kicaunya yang indah, saat ini telah menjamur peternakan-peternakan kecil yang mengembang-biakan jenis burung ini. selain memiliki kicau yang memukau, kenari juga beragam warna bulunya. Orange, kuning, putih dan beberapa warna lainnya.

Selasa, 05 Juli 2011

Fosil Peri

Fosil Peri Unik
telah ditemukan fosil manusia kecil yang memiliki sayap menyerupai daun, untuk sementara waktu, hasil identifikasi menyatakan bahwa fosil ini adalah fosil peri yang selama ini kita ketahui hanya disebutkan dalam buku dongeng anak-anak.

Selasa, 28 Juni 2011

Kambing Bandel

Kambing ngepet di tangkap oleh pak haji di siang bolong. anehnya, dengan mudah pak haji langsung menjewer telinga si kambing tanpa adanya perlawanan dan tanpa menyiapkan bunga tujuh rupa ataupun kemenyan. hanya dengan selembar uang seratus ribu sang kambing pun lupa diri dan ditangkap.